UK Print Illustrators - 3 of February's Favourites

February has been a quick month but I’ve managed to find 3 favourite illustrators for the month whose impressive artworks have been brought to life through print. I wanted to share their work because their creations are very imaginative, which should help if you’re in need of some “outside the box” inspiration. Also, they’re based in the UK - a bit of patriotism is always fun!

Illustrators have a competitive industry to battle within whilst remaining cool-headed and creative so help these artists out by sharing this article if you’re as impressed by their illustrations as I am.

James Oconnell

Mr Oconnell is a professional all-round creative based in Manchester and his website bio makes you imagine him as the Spiderman of the illustrative world: “I'm a firm believer of using my skills for good”.

The first of his creations that appealed to me is titled Be Good Together and is intended to provoke non-collaborative creatives into working with one another to form something collectively awesome by presenting the message that it does.

His design reminds me of a dream catcher that has been hung, which almost ties in with his theme i.e. the dream that all creatives will one day work with one another.

Carl Koch

I’m a great fan of visual artists who have imaginations that can create an entire fantasy world within a single piece of art. One type of scene that has always appealed to me, since my love of the anime movie Howl's Moving Castle, is the floating island.

What I admire most about Koch’s floating island, titled High Rise Livin’, is the realistic appearance of this imaginary house he has created - similar in appearance to a child’s tree house with the characteristic charm of a vintage potter’s shed.

Created with watercolours, this artwork reminds me of the Disney film Up because of the childhood contraptions created by the movie characters - an association that Koch may or may not be happy with.

Daniel Schooler

I’m not sure if the anime side of my life is running this article but my reason for showcasing this illustrator’s work is because of the connection it has with my adoration for Dragon Ball Z. Rather than explain the plot I’ll leave it for you to research and find out the relevance of giant monkeys.

Schooler’s bio gives great insight into some of the design choices he’s made within this illustration, for example he’s added a depth of field and focus element that you’d usually find in photography by making the larger plantation, which is seemingly closer, blurred and out of focus. Within his bio he explains that he “has a curious relationship with photography” which would explain this combination of the illustration and photography forms (http://www.danielschooler.com/about.html).

Graffiti and tattoo artistry also spring to mind when analysing this piece of art which Schooler again explains are his influences and aspirations.